DandyReviews

10th Jun 202110th Jun 2021 dandyreviews

‘Cruella’ Review: Surprisingly, Making a Character Who Skins Dogs Into a Girl-Boss Doesn’t Work

10th May 202110th May 2021 dandyreviews

America’s Parasitical Need to Adapt, and Westernise, International Films

6th Apr 20216th Apr 2021 dandyreviews

Autistic People Need More Than Awareness, We Need Acceptance

11th Mar 202111th Mar 2021 dandyreviews

‘Framing Britney Spears’ and The Feminisation of Madness

9th Feb 20219th Feb 2021 dandyreviews

Spree (2020) Review; Yet Another Film About Social Media Depravity Which Entirely Misses the Mark

26th Dec 202026th Dec 2020 dandyreviews

How Empowered Is the ‘Strong Female Lead’ in Contemporary Action Adventure Films, Really?

21st Dec 202023rd Dec 2020 dandyreviews

Sex, Drugs, and the Teen On Screen; An Analysis of ‘Skins’ (2007-2013)

20th Nov 202021st Nov 2020 dandyreviews

The Commodification of Fourth-Wave Feminism – Are We, as Women, Angry Enough?

30th Oct 202031st Oct 2020 dandyreviews

Fleabag’s Relationship with Class; Addressing Privilege

20th Oct 2020 dandyreviews

St Maud (2020) Review; Horror Works Best with an Emotional Core